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About

"The Forge: a holy place where metals are transmuted, a magic cave where fire bolsters the desire to catch
the uncatchable... where man, like a Demiurge, abstracts from this primal and incandescent metal.
In this mysterious transformation of solid metal to magma and to its solid phase again, lies the infinite
poesy of a timeless, ancient language, lasting forever... and from there the hidden force of physical matter
with its intrinsic rules, and the vital ardour of silent knowledge stem". A.R.

Alessandro Rametta was born in 1974 in Milan, the town where he lives and works. An autodidact sculptor, he was a student in Philosophy at the University of Perugia and in 1997 he founded La Fucina di Efesto, a workshop devoted to research on the border of art, design and architecture. His work grows up in close contact with the working of metals, of which he explores the many expressive possibilities to such a point as to make him discover a personal technique of his own, full of new insights. He practices several techniques, from feverish to goldsmith’s art, constantly altering and renewing them thus creating and pioneering serendipitous courses. This approach results in a sculpture fraught with ancient enigmas, springing from an intimate bond with nature and an attentive reading of alchemic imagination, mythology and traditional symbology, where any alteration he makes to the matter always coincides with an emotional metamorphosis.

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Alessandro Rametta is appointed as a member of the general board for the IVth edition of the MAM-Maestro d’Arte e Mestieri award (Master of Arts and Crafts), Italy, 2022.

In 2018 Alessandro was awarded the honour of Master of Art and Craft, a prestigious award that Fondazione Cologni dei Mestieri d'Arte confers for "diffusing knowledge of the Italian excellence in the field of artistic craftsmanship".

In 2015, Alessandro participates in the creation of “The Master’s Touch” (A. Cavalli, Marsilio Editori, Venice 2017) and “Il valore del mestiere” (A.Cavalli, Marsilio Editori, Milan 2014), setting the “cultural” criteria of authenticity, creativity and territoriality to be used to recognize excellence in art-making.

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